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Developmental Editing for All Stories​​

Let's get writing.

I'm Ty Love. I spent a decade inside top publishing working on 18 New York Times bestsellers, and now I spend my days the way I like best: immersed in new worlds with the authors building them, exploring the far future, the deep magick, or big new ideas. I'm honest about what isn't working and loud about what is, because I believe writing a book is exciting; and editing it should be too.

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18 NYT bestsellers · 2 Oprah's Book Club picks · 5.0 from 31 Reedsy reviews

Sound familiar?

You've revised this draft so many times, you can't tell if you're making it better or just moving things around.

 

Your beta readers love it. You suspect they're being nice.

 

You have a lovely world you've built—and you're worried you might be force feeding it all a little too fast.

 

You're this close to querying, and you don't want to waste your shot with agents.

 

If any of these are you, don't worry—you're in the right place, and among good company. 

How I can help

Developmental Edit

The deep dive. Plot & Pacing, Worldbuilding, Character, Tone & Style, with in-line suggestions and editorial calls.

Editorial Assessment

A clear plan. What to fix, in what order, and why. For the early stage to see if this story is the right one to keep.

Author Coaching

A partner for the journey. Pages, goals, momentum—everything you need to get the story out of your head and onto the page.

Nonfiction Proposal

The pitch that sells. Agency-trained and deal-tested. Includes the formula I've used for 7-figure advances.

Having someone edit your book is always a little scary at first but Ty was amazing. His input was very insightful and eye-opening. He was also very professional, responded quickly and was great to work with. I really recommend him! I've worked with Ty twice and I was never disappointed.

Marie L., Middle Grade Fantasy

Not ready to commit? Send 5,000 words.

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I will edit a sample free, so you can feel how I work before you decide anything.

Sliding-scale rates for writers who need them, because I believe good editing should be reachable.

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Edge of August Editorial · Amsterdam

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